Listing 1 - 10 of 36 | << page >> |
Sort by
|
Choose an application
Art --- anno 1800-1899 --- England --- de Groep van Holland Park --- Grosvenor Gallery (Londen) --- symbolisme --- prerafaëlieten --- vrouwen --- 19de eeuw --- Groot-Brittannië --- vrouw --- 19de eeuw. --- Groot-Brittannië.
Choose an application
Choose an application
Rossetti, Dante Gabriel --- prerafaëlieten --- Swinburne, Algernon Charles --- Blake, William --- Watts, George Frederic --- Burne-Jones, Edward Coley --- Whistler, James Abbott McNeill --- Ruskin, John --- prerafaëlieten. --- Rossetti, Dante Gabriel. --- Swinburne, Algernon Charles. --- Blake, William. --- Watts, George Frederic. --- Burne-Jones, Edward Coley. --- Whistler, James Abbott McNeill. --- Ruskin, John.
Choose an application
What do we mean when we call a work of art `beautiful`? How do perceptions of beauty change with the passage of time? Elizabeth Prettejohn explores these crucial questions, showing the vital relationship between our changing notions of beauty and specific works of art. She charts the story of western art, from eighteenth-century Germany to the late 20th century, from Kauffman to Whistler, Ingres to Rossetti, C--eacute--;zanne to Jackson Pollock. - ;What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have be
Art
---
Philosophy.
---
Aesthetics of art
---
anno 1700-1799
---
anno 1800-1999
---
#BIBC:ruil
Choose an application
With the rise of museums in the 19th century, including the formation in 1824 of the National Gallery in London, as well as the proliferation of widely available published reproductions, the art of the past became visible and accessible in Victorian England as never before. Inspired by the work of Sandro Botticelli, Jan van Eyck, Diego Velázquez, and others, British artists elevated contemporary art to new heights through a creative process that emphasized imitation and emulation. Elizabeth Prettejohn analyzes the ways in which the Old Masters were interpreted by critics, curators, and scholars, and argues that Victorian artists were, paradoxically, at their most original when they imitated the Old Masters most faithfully. Covering the arc of Victorian art from the Pre-Raphaelites through to the early modernists, this volume traces the ways in which artists such as Dante Gabriel Rossetti, Edward Burne-Jones, and William Orpen engaged with the art of the past and produced some of the greatest art of the later 19th century.
Painting, English --- Imitation in art. --- Historicism in art. --- Imitation dans l'art --- Historicisme dans l'art --- Themes, motives. --- Painting --- art history --- Pre-Raphaelite --- easel paintings [paintings by form] --- Modernist --- anno 1900-1999 --- anno 1800-1899 --- England --- 1800-1999. --- iconografie --- oude meesters --- prerafaëlieten --- renaissance --- spiegels --- 19de eeuw --- 20ste eeuw --- Engeland --- Spanje --- renaissance (historisch tijdvak, doorheen de 16e eeuw) --- oude meesters. --- prerafaëlieten. --- spiegels. --- iconografie. --- 19de eeuw. --- 20ste eeuw. --- Engeland. --- Spanje.
Choose an application
Choose an application
The group of young painters and writers who coalesced into the Pre-Raphaelite movement in the middle years of the nineteenth century became hugely influential in the development not only of literature and painting, but also more generally of art and design. Though their reputation has fluctuated over the years, their achievements are now recognised and their style enjoyed and studied widely. This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones. This is the first book to provide a general introduction to the Pre-Raphaelite movement that integrates its literary and visual art forms. The Companion explains what made the Pre-Raphaelite style unique in painting, poetry, drawing and prose.
Art styles --- anno 1800-1899 --- England --- Préraphaélisme --- Art --- Préraphaélisme.
Choose an application
What do we mean when we call a work of art `beautiful`? How do perceptions of beauty change with the passage of time? Elizabeth Prettejohn explores these crucial questions, showing the vital relationship between our changing notions of beauty and specific works of art. She charts the story of western art, from eighteenth-century Germany to the late 20th century, from Kauffman to Whistler, Ingres to Rossetti, C--eacute--;zanne to Jackson Pollock. - ;What do we mean when we call a work of art `beautiful`? How have artists responded to changing notions of the beautiful? Which works of art have be
Art --- Aesthetics. --- Beautiful, The --- Beauty --- Esthetics --- Taste (Aesthetics) --- Philosophy --- Criticism --- Literature --- Proportion --- Symmetry --- Aesthetics --- Art and philosophy --- Philosophy. --- Psychology --- Analysis, interpretation, appreciation --- Radio broadcasting Aesthetics
Choose an application
The group of young painters and writers who coalesced into the Pre-Raphaelite movement in the middle years of the nineteenth century became hugely influential in the development not only of literature and painting, but also more generally of art and design. Though their reputation has fluctuated over the years, their achievements are now recognised and their style enjoyed and studied widely. This volume explores the lives and works of the central figures in the group: among others, the Rossettis, William Holman Hunt, John Everett Millais, Ford Madox Brown, William Morris and Edward Burne-Jones. This is the first book to provide a general introduction to the Pre-Raphaelite movement that integrates its literary and visual art forms. The Companion explains what made the Pre-Raphaelite style unique in painting, poetry, drawing and prose.
Choose an application
Listing 1 - 10 of 36 | << page >> |
Sort by
|